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MONDAY, 02/11/2013 — “BLACK ORPHEUS” (1959) — BRAZILLIAN SERIES

Directed by French director Marcel Camus, this superb retelling of the Orpheus and Eurydice Greek legend is set against Rio de Janeiro’s madness during Carnival. This movie earned an Oscar for Best Foreign Language Film.

MENTORS — A NOTE FROM J.J. —

My first informal mentor was Domingo De Nubila who talked about cine on a weekly radio program that I used to listen as a child in Buenos Aires. Later on we became friends and  I was a frequent guest in his TV programs about films and entertainment.

When I first lived in the USA – New York in 1959 – I subscribed to “Esquire,” which at that time was redolent with talents like Dwight Macdonald, a very cultured and different film critic of those times. I was fascinated by his deep knowledge of world cinema – a very rare thing among movie critics then and now. My admiration for Macdonald’s had only one single flaw: he liked Antonioni, and I let him keep that opinion and did not try to convince him otherwise.

These days when I read a film review by David Denby or Anthony Lane at “The Newyorker” I feel completely articulated in their POV and analysis of artistic and technical points.

Looking forward to seeing Orpheus Negro tonight with you all!

Aloha,

JJ

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MONDAY, 02/04/2013 — “CENTRAL STATION” (1998) — BRAZILIAN SERIES

central-do-brasil-poster051An emotive journey of a former school teacher, who write letters for illiterate people, and a young boy, whose mother has just died, in search for the father he never knew. This Oscar-nominated drama follows the interplay between Dora and the boy during their journey to Brazil’s remote Northeast region, their bond growing ever stronger with each mile logged.

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MONDAY, 01/28/2013 — “ZABRISKIE POINT” (1970) — MICHELANGELO ANTONIONI SERIES —

Writer-director Michelangelo Antonioni’s vision of late – 1960s America is on full display in this tale that mixes romance and revolution as it explores the love affair between a pot-smoking secretary and a rebel seeking a cause. An Italian filmmaker’s take on American counterculture mythology, this visually stunning film remains an interesting artifact of the times.

*IMPORTANT*: Potluck – 5:45pm; Film – 6:45pm; Discussion after film!

2012 in review — A BIG THANKS FROM J.J —

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 5,600 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 9 years to get that many views.

Click here to see the complete report.

Queridos Cinematikeros…

Thank you, muchas gracias, arigato, danke schon, merci beacoup, grazie tante, obrigado, Mahalo and Aloha tambien…

Five thousand six hundred views of our blog in 2012…
One single vision since 2008= showing the best of world cinema here in Maui, Hawaii…
CINEMATIKI MAUI it has been an idea attached to a passion, an opportunity for both of us=Tom and I- to do “one from the heart”, and create an artistic partnership made in the CINEMA-PARADISO of our minds…
Over one hundred eighty film shown weekly one-at-a-time ,collectively reviewed, individually received and interpreted, duly commented and somewhat digested and filed in the archives of our growing cinematic-minds…

learning more about the art of cinema every week…

see you on Monday…

J.J.

Why see films projected? — a note from Tom Sewell —

I am unable to watch films on a video screen for a number of reasons. First, I so enjoy our Cinematiki Group that to see a film without them would be like cheating on my wife. I just like the history we share, the commitment to learning, the camaraderie, the whole adventure. I enjoy the discussion after the film almost as much, and sometimes more than the film itself.

We have seen, dissected and digested so many great films and the process works for me. I love the big projected image reflected back on me, off the screen, almost including me as a character. I can more readily step in for a distinct visceral experience. Plus, it is easy on the eyes and the brain. The electronic image projected directly from a flat screen into my eyes is just a little more harsh, numbing information than I need. I also find that if I know I will be discussing the film with others, I pay more attention.

Sharing cinema has become a very meaningful part of my Maui life. The early years I lived in Minneapolis, in the Uptown area, were tantalizing times for me. The Uptown Theater and The Suburban World Theater were a huge influence opening vast worlds of wonder. These Maui Monday nights have become a splendid continuation of the magic and I welcome your presence for the exploration.

Aloha

Tom Sewell

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MONDAY, 01/21/13 — “THE PASSENGER” (1975) — MICHELANGELO ANTONIONI SERIES —

In this gripping drama, a frustrated war correspondent, unable to find the war he’s been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.

Why see The Harmonists? — a note from Tom Sewell —

It reminds us of the power of music, in spite of the horrible drum beat of the Nazi buildup. These five men created amazing art that brought happiness to a multitude. Their story is very inspiring. It was so good to see a film about that era that feels uplifting. I really enjoyed the goofy music, and the five main characters were all wonderful! Seeing it for the second time, after 6 years even better, I was more relaxed and knew Harry would come out okay and not get sent to a camp.

P.S. On a side note, I am glad to see that both my new interns, Anh and Tony, have been watching movies every night and discussing them with gusto and great enthusiasm. They have watched Jules and Jim, Psycho, and The Clockwork Orange, and much more. They have been helping Cinematiki with film researches and poster-making as well. I look forward to seeing the future of Cinematiki with the contribution of these new young guys!

Tom Sewell

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MONDAY, 01/14/2013 — “L’AVVENTURA” (1960) — MICHELANGELO ANTONIONI SERIES —

Italian superstar Monica Vitti intrigues as a rich woman vacationing on a resort island in the Mediterranean who goes on a search for a missing friend, an investigation that evolves into a search for love and the meaning of life. As the breakthrough film for Michelangelo Antonioni, this art-house classic was discussed and debated by critics the world over in 1960 and won the Jury Prize at Cannes.

Come to Cinematiki Club on Monday, 01/14 to watch this masterpiece of Michelangelo Antonioni!

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Monday Jan.7 “The Harmonists”

the harmonists