HOW NOIR WERE THE FILM NOIRS OF THE 1940’S AS THEY WERE BEING INVENTED BY MASTERS LIKE BILLY WILDER ??
HOW VIOLENT WAS THE VIOLENCE IN THOSE FILMS??…
DID IT MAKE YOU RECOIL ?? …COVER YOUR EYES ??
HOW DID THOSE DIRECTORS CONVEY THE STORY THROUGH IMAGES AND DIALOGUE ??????
YOU MAY PONDER AND WONDER, ASK, COMMENT, INFORM AND LEARN ABOUT ALL THIS EVERY MONDAY @ 6:45 pm @ THE CINEMATIKI MAUI…
J.J. & TS
Who would have thought that a dysfunctional, deranged, down-and-out homeless person in pre-First World War Vienna become, 20 years later, Chancellor of Germany? This peculiar and intriguing film simply named “Max” argues that he succeeded because he had such a burning need to be recognized (sounds familiar ?)–and also, of course, because of luck= good for him, bad for us.
If Hitler had won fame as an artist, the century’s history might have been different.
“Max” imagines a fictional scenario in which the young Adolf Hitler (Noah Taylor) is befriended by a one-armed Jewish art dealer named Max Rothman (John Cusack) in Munich in the years following World War I.
WHAT’S IN A NAME ?
The name of the Rose
Umberto Eco’s novel
Did you read the novel ?
Have you seen the film ?
The film was directed by Jean-Jacques Annaud , starring Sean Connery and Christian Slater…
Which one did you prefer ? The novel or the film ?
Who committed the murders ?
Where there any murders ?
Is this what the pundits were saying back then ?
“If The Name of the Rose seems an odd choice for such critical and popular acclaim, Eco’s elevation into literary superstardom seems just as surprising. A scholarly university professor, Eco’s main fields of interest included semiotics, aesthetics, and medieval philosophy. No one could have predicted the furor caused by his debut novel and the subsequent film; yet the well-drawn characters, the mysterious setting, and the detective-fiction plot continue to attract a diverse audience that gathers every Monday evening @ the Cinematiki to discuss films like this”