We are very fortunate to be able to stream this wildly popular film on Monday night. Rave reviews from all quarters (just won the Golden Lion Award at the Venice Film Festival.)
The most personal project to date from Academy Award (R)-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mama Tambien), ROMA follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.
Welcome Back To Cinematiki Maui
We will continue with a film highly recommended by friends in NYC and France, “The Cakemaker.” Official submission of Israel for the ‘Best Foreign Language Film’ category of the 91st Academy Awards in 2019.
Thomas, a young and talented German baker, is having an affair with Oren, an Israeli married man who dies in a car crash. Thomas travels to Jerusalem seeking answers. Keeping his secret for himself, he starts working for Anat, his lover’s widow, who owns a small café. Although not fully kosher and despised by the religious, his delicious cakes turn the place into a city attraction. Finding himself involved in Anat’s life in a way far beyond his anticipation, Thomas will stretch his lie to a point of no return.
Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw (Laurence Harvey) is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco (Frank Sinatra), finds himself plagued by strange nightmares and, together with fellow soldier Allen Melvin (James Edwards), races to uncover a terrible plot.
When Randle Patrick McMurphy (Jack Nicholson) gets transferred for evaluation from a prison farm to a mental institution, he assumes it will be a less restrictive environment. But the martinet Nurse Ratched (Louise Fletcher) runs the psychiatric ward with an iron fist, keeping her patients cowed through abuse, medication and sessions of electroconvulsive therapy. The battle of wills between the rebellious McMurphy and the inflexible Ratched soon affects all the ward’s patients.
Melville creates a world that rewards you looking at the details.
“An elegantly stylized masterpiece of cool by maverick director Jean-Pierre-Melville, Le Samouraï is a razor sharp cocktail of 1940 American Gangster Cinema and 1960 French pop culture – with a liberal dose of Japanese lone-warrior mythology.”
– Criterion Collection
Yo Yo is a 1965 French comedy film by Pierre Étaix. The story follows the son of a millionaire from the 1920s to the 1960s. After losing his fortune in the stock-exchange crash, he teams up with an equestrienne and becomes a circus clown.
This elaborately conceived and brilliantly mounted comedy is Pierre Etaix’s most beloved movie, as well as his personal favorite. Beginning as a clever homage to silent film, complete with intertitles, Yoyo blossoms into a poignant family saga (in which Etaix plays both a father and his grown son) and a celebration of the circus Etaix adored. Chock-full of nimble sight gags and ingenious sound effects, Yoyo is very sweet, a little bit melancholy, and wholly imaginative.
Pierre Étaix co-directed one of Jacques Tati’s great hits, “Mon Oncle” and many folks think his style is very close to Tati’s–which it is.