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on this Monday July 4th, 2016…

This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.

Preface to Leaves of Grass
by Walt Whitman

Monday June 27TH, 2016 ***** SPECIAL EVENT***** “TELL THEM WHO YOU ARE” ***** directed by MARK WEXLER starring HASKELL WEXLER, MARK WEXLER, BILLY CRYSTAL, MICHAEL DOUGLAS, JANE FONDA, DENNIS HOPPER, RON HOWARD, PAUL NEWMAN, JULIA ROBERTS

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This documentary examines the fascinating, controversial life of Oscar-winning cinematographer Haskell Wexler (his credits include One Flew Over the Cuckoo’s Nest, Who’s Afraid of Virginia Woolf and many of John Sayles’s movies) and his relationship with his son Mark, who directs this film.

NEW YORK TIMES REVIEW – Almost every frame of “Tell Them Who You Are” conveys an intimate, emotionally charged understanding that only a spouse or an immediate family member could bring to such a project. Near the beginning of the movie, the younger Wexler admits that the film is his attempt to get closer to his father. This sense of personal mission helps make “Tell Them Who You Are” the richest documentary of its kind since Terry Zwigoff’s “Crumb.”

 

Michael SPECIAL GUEST – Michael Ondaatje

Ondaatje’s work includes fiction, autobiography, poetry and film. He has published 13 books of poetry, and won the Governor General’s Award for The Collected Works of Billy the Kid (1970) and There’s a Trick With a Knife I’m Learning to Do: Poems 1973–1978 (1979). Michael’s work also includes last week’s movie The English Patient and he will be joining us this week  for dinner, the movie and conversation after the movie.

 

Monday June 6TH, 2016 ***** ” PHILADELPHIA” ***** directed by JONATHAN DEMME starring TOM HANKS, DENZEL WASHINGTON, ANTONIO BANDERAS, JASON ROBARDS AND JOANNE WOODWARD

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Seeing Tom Hanks in Bridge of Spies a few weeks ago reminded us of what a remarkable actor he is. We thought we should show Philadelphia. In that film Hanks won the Academy Award for Best Actor, 1993.

Monday MAY 16TH, 2016 ***** ” EISENSTEIN IN GUANAJUATO ” directed by PETER GREENAWAY, ELMER BACK, LUIS ALBERTI

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Venerated filmmaker Sergei Eisenstein (Elmer Bäck) travels to Mexico to shoot his new film after being shunned by Hollywood. There he has a sensual experience that becomes a significant turning point in his life and career.

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The movie gleefully demolishes the cliché of a great artist as a brooding, omniscient eminence.Full review  Stephen Holden·New York Times
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Monday May 2nd, 2016 Cinematiki presents CAROL, Directed by Todd Haynes, Starring Cate Blanchett, Rooney Mara and Sarah Paulson

“The time is the nineteen-fifties, perhaps the last epoch when, as a moviegoer, you could still believe that some enchanted evening you would see a stranger across a crowded room, and somehow know.  The film is a casting coup, with Blanchett’s inherent languor-plus that low drawl of hers, a breath away from boredom- played off against the perter intelligence of Mara, whose manner, as always, is caught between the alien and the avian. The film is at its best when it honors that craving for trouble.”

Anthony Lane

film critic for The New Yorker

 

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” A FACE IN THE CROWD ” a Trump parable ?

– – Monday, September 14, 2015

Rarely and perhaps not in modern times has a presidential campaign more resembled the classic 1957 film, “A Face in the Crowd.” Written by Budd Schulberg and starring Andy Griffith, Patricia Neal and Walter Matthau, the storyline follows an Arkansas hayseed named Larry “Lonesome” Rhodes (Griffith), whom Marcia Jeffries (Neal) discovers in a county jail.

Jeffries has a local radio show on which she interviews interesting characters. She finds Rhodes irresistible and puts him on the air. Rhodes becomes a sensation, eventually climbing the ladder to his own network TV show and then, as politicians approach him for endorsements, a self-described kingmaker.

I think of Rhodes when I watch Donald Trump. The two have much in common. Rhodes‘ view of women seems to mirror Mr. Trump‘s. In one scene, Rhodes says, “A guitar beats a woman every time.” He marries more than once and has several affairs during and in between those marriages.

As he becomes intoxicated with a beverage clearly not the milk of human kindness, Rhodes brags: “I’m not just an entertainer. I’m an influence, a wielder of opinion, a force a force!”

Later as his political and cultural demise approaches, Rhodes says this about his audience when he thinks the microphone is off (Jeffries has kept it on to expose him as a fraud and make amends for creating a monster): “Those morons out there? Shucks, I could take chicken fertilizer and sell it to them as caviar. I could make them eat dog food and think it was steak. You know what the public’s like? A cage of guinea pigs. Good night, you stupid idiots. Good night, you miserable slobs. They’re a lot of trained seals. I toss them a dead fish and they’ll flap their flippers.”

Rent or buy the film if you haven’t seen it. Think of Mr. Trump as you watch Lonesome Rhodes, his rise and eventual fall, as ego and arrogance lead to the self-immolation of his career and life.

Mr. Trump’s braggadocio about how he plans to bully Russian President Vladimir Putin and free American hostages held by Iran, even before he is sworn in as president, excites his supporters, but lacks any credible specifics. Perhaps Mr. Trump thinks the force of his personality is greater than Russian weaponry or the coming Iranian nuclear bomb. If so, he should not be allowed anywhere near the Oval Office.

Mr. Trump has tapped into a deep anger among many members of the public who hate Washington and its dysfunction. He rightly lambasts politicians who rarely live up to their promises and especially Republicans for too often surrendering to Democrats, a party to which until fairly recently he belonged. But if he wants to tear down the establishment, he must offer something of substance in its place.

Mr. Trump is a chameleon, having held contradictory positions on various issues over the years as it suits him. He fits the dictionary.com definition of demagogue: “A person, especially an orator or political leader, who gains power and popularity by arousing the emotions, passions, and prejudices of the people.” That’s Lonesome Rhodes. That’s also Donald Trump.

Mr. Trump is a serial violator (and he’s not alone in this) of Ronald Reagan’s “11th Commandment,” which states that Republicans are never to speak ill of a fellow Republican. There’s a good reason for this. If Republicans trash Republicans, by the time a nominee is chosen, the party has given Democrats a slew of disparaging sound bites they can use as political ammo in the general election campaign. Not a smart move.

In the film, Mel Miller (Matthau) delivers one of Schulberg’s best lines about Rhodes: “I’ll say one thing for him, he’s got the courage of his ignorance.”

So does Mr. Trump, who, to give just one example, claims the Bible is his favorite book, but can’t name any of its chapters, or even a single verse. Lonesome Rhodes would have known how to fake it. Mr. Trump might consult the Gideon version in any of his hotel rooms.

Cal Thomas is a nationally syndicated columnist. His latest book is “What Works: Common Sense Solutions for a Stronger America” (Zondervan, 2014).

MONDAY FEBRUARY 29, 2016 : “ETERNITY AND A DAY” (1998) directed by Theodoros Angelopoulos with Bruno Ganz, Isabelle Renauld

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Recommended by Don Burnshouse, a sweet film about a Greek poet and his reflections, joys and sorrows, at the end of his life. On his last day he is illuminated by his encounter with an Albanian refugee.

New York Times said ”Eternity and a Day” won an overdue Palme d’Or at Cannes International Film Festival for the Greek director Theo Angelopoulos, whose style of drifting metaphysical reverie is at its most accessible here.”

Stay for discussion of the film and DVD extras including an excellent interview with the director.

EVERYBODY IS A CRITIC…

A very interesting and opinionated article by O.A.Scott

Please, check it out   >>>>>http://www.nytimes.com/2016/01/31/sunday-review/everybodys-a-critic-and-thats-how-it-should-be.html

What do you think ?

 

Queridos Cinematikeros

The Cinematiki will be dark on Monday January 25, 2016 and the following Monday February 1st, 2016…

We look forward seeing you on our next screening February 8th…

Thank you for another season, another reason for enjoying films, commentaries, community and other cultures…

JJ & TS